Music & Audio Technology 썸네일형 리스트형 "The Dawn of Computer Music" (2023) | Stanford Laptop Orchestra "The Dawn of Computer Music" (2023) Terry Feng, Soohyun Kim, Yikai Li at Stanford Bing Concert Hall Welcome to an epic fusion of Strauss's "Also sprach Zarathustra" and Musique Concrète. This Space Odyssey-inspired performance unfolds in two movements, signaling the dawn of computer music. The first movement dances with invisible orchestral instruments, synthesizing Strauss's iconic sunrise fanf.. 더보기 Real-time Automatic Equalization for Reducing Spectral Masking in Problematic Frequency Bands between Vocal and Instrument Tracks Audio plug-in software development in C++ / JUCE / Faust The analyzer graphics shows 1) Frequency spectrum of each signal 2) Problematic frequency bands indicated red color 3) Automatic EQ curve (Gain constant) and (threshold) are user parameters. Gain reduction for each band uses a peak filter centered at fc and the Q factor of the corresponding bandwidth. 더보기 Peripheral Love (2023): Everyday computing peripherals become expressive musical instruments Official Muisc Video: Live Performance: Peripheral Love (2023)USB3 (Urban Synth Boys 3): Soohyun Kim & Terry Feng & Yikai Li USB3 (Urban Synth Boys 3) is a pop music band formed at CCRMA, Stanford University. The trio features Soohyun Kim (Vocal & Keytar), Terry Feng (Mouse Drum & Keyboard), and Yikai Li (GameTrak Bass). USB3 brings the spirit of the laptop orchestra into the world of popular.. 더보기 Cyberpunk Sanjo (산조) 2023: Designing expressive vibrato/pitch bend controller for a virtual Korean traditional instrument My solo-performance at SLOrktastic Chamber Music 2023, at CCRMA Stage, Stanford University. MIDI keyboards typically feature a pitch wheel that allows players to add vibrato or pitch bend effects to their virtual instruments. However, when it comes to expressing the rich, nuanced, and dynamic vibrato and pitch bend techniques ("구슬지다." in Korean) found in Korean traditional instruments, the pitch.. 더보기 PACT: perceptual audio codec We used block switching to improve performance on transients; M/S coding to reduce stereo redundancy; and Huffman coding to reduce redundancy in our bitstream. Technical Report: https://drive.google.com/file/d/1IMsorQwDId2OhxICqSiZR7GmzrlYtO5f/view?usp=sharing PACT A BACKWARD-COMPATIBLE EXTENSION TO PAC.pdf drive.google.com 더보기 Interactive Spatial Audio Performance: Controlling the spatial location of sound sources (3rd-order Ambisonics) in real time by head movement detection Demo video (Full Performance video is below) In this project, I designed an AI tool for interactive spatial audio performance (with an Ambisonics loudspeaker array) that enables performers to dynamically manipulate the spatial locations of sound sources in real time through their body movements, including head movement and hand gestures. This project demonstrates the possibility of controlling t.. 더보기 AI-based Real-Time Control of Electric Guitar Effects through Facial Expression and Gesture Detection Demo Video 𝘕𝘰𝘸 𝘺𝘰𝘶 𝘤𝘢𝘯 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘺𝘰𝘶𝘳 𝘨𝘶𝘪𝘵𝘢𝘳 𝘦𝘧𝘧𝘦𝘤𝘵𝘴 𝘸𝘪𝘵𝘩 𝘺𝘰𝘶𝘳 "𝘨𝘶𝘪𝘵𝘢𝘳 𝘧𝘢𝘤𝘦𝘴"!I discovered that facial expression and gesture detection can provide more expressive and intuitive (and fun) control for electric guitar effects. I believe this is because facial expressions and gestures have a stronger emotional connection to music performance than pr.. 더보기 Web audio based guitar recording, effects, synth, and drum sound design This is my original composition which is a piece of instrumental guitar music. I found the random pitch shift effect on an electric guitar using web audio coding makes an interesting ‘dreamy’ sound, which I had never heard from any other commercial guitar effect pedals. Inspired by this new sound, I wrote this composition. The guitar is recorded on a webpage using Web ChucK code. I did not use a.. 더보기 이전 1 2 3 4 다음
